Low Voltage Experiments exhibition installation view.
The Silver Building, London 2018.
Haunted.
Alkyd resin, acrylic, sand, copper, rubber, polyester and canvas.
254 x 211 cm.
Lab Kalkhost, Kalkhorst, Germany, 2019.
Weird Science (A Side).
Sand, spray paint, acrylic, polyester, cotton and eyelets.
250 x 200 cm.
Low Voltage Experiments @ The Silver Building, London 2018.
Installation view at Mantra.
Mixed Media.
600 x 680 x 440 cm.
Stour Space, London 2018.
This Is Not A Love Song..
Sand, spray paint, acrylic, polyester, cotton and eyelets.
300 x 200 cm.
Low Voltage Experiments @ The Silver Building, London 2018.
Toxic.
Spray paint, sand, acrylic, cotton, debris netting, eyelets, polyester, canvas and a Estrella can.
270 x 182 cm.
Moral Minimalism @ Aloïse, Barcelona 2018.
Barceloneta Zoo.
Spray paint, sand, acrylic, cotton, debris netting, eyelets, polyester, canvas and electrical wire.
210 x 298 cm.
Moral Minimalism @ Aloïse, Barcelona 2018.
Lucid Larceny.
Spray paint, gravel, acrylic, cotton, debris netting, eyelets, polyester, canvas and a Estella can.
200 x 160 cm.
Moral Minimalism @ Aloïse, Barcelona 2018.
Sand and nail bomb painting for the Moral Minimalism solo exhibition.
Playa Barceloneta, Barcelona, Spain 2018.
Exhibition view at Hack Morecambe, alongside Egs and Taehoon Yangah.
Morecambe, Lancashire 2018.
Theresa Got a Trap House.
Spray paint, sand, gravel, cotton, diamond fence, eyelets, polyester, canvas and steel wire.
235 x 172 cm.
The Silver Building, London 2018.
Freak Code / Weird Science.
Exhibition view at Hack Morecambe, Morecambe, Lancashire 2018.
Freak Code (A Side).
Sand, spray paint, acrylic, polyester, cotton and eyelets.
250 x 200 cm.
Hack Morecambe, Morecambe 2018.
Freak Code (B Side).
Debris netting, spray paint, acrylic, cotton and eyelets.
250 x 200 cm.
Hack Morecambe, Morecambe 2018.
Weird Science (A Side).
Sand, spray paint, acrylic, polyester, cotton and eyelets.
250 x 200 cm.
Hack Morecambe, Morecambe 2018.
Low tide sludge and pebble painting.
North Greenwich, London 2018.
Sand and popped can painting for Hack Morecambe.
Morecambe Bay, Lancashire 2018.
The Barracuda Dodging the Fishing Rod.
Exhibition view at Silver Sehnsucht, The Silver Building, London 2017.
The Barracuda Dodging the Fishing Rod, with Filippo Minelli smoke bomb intervention.
Exhibition view at the Silver Building, London 2017.
Acid Reign.
Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting.
300 x 195 cm.
Silver Sehnsucht exhibition at The Silver Building, London 2017.
Acid Reign (b side).
Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting.
300 x 195 cm.
Silver Sehnsucht exhibition at The Silver Building, London 2017.
Heterotopic Tourist.
Alkyd resin, chain link fence, rope, iron, wood & shredded canvas.
250 x 174 cm.
Silver Sehnsucht exhibition at The Silver Building, London 2017.
Blue Collar Flag.
Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting.
300 x 195 cm.
Silver Sehnsucht exhibition at The Silver Building, London 2017.
Blue Collar Flag (b side).
Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting.
300 x 195 cm.
Silver Sehnsucht exhibition at The Silver Building, London 2017.
Heterotopic Tourist (b side).
Alkyd resin, chain link fence, rope, iron, wood & shredded canvas.
250 x 174 cm.
Silver Sehnsucht exhibition at The Silver Building, London 2017.
The Barracuda Dodging the Fishing Rod.
Exhibition view at Silver Sehnsucht, The Silver Building, London 2017.
Forest intervention.
Barösund, Finland 2017.
Forest studio.
Barösund, Finland 2017.
Forest studio.
Barösund, Finland 2O17.
Forest studio.
Barösund, Finland 2O17.